Auteur : Writtwik

Etant à la charnière des deux cultures, j’ai toujours essayé de contribuer au processus de rapprochement entre la France et l’Inde. Etablir un dialogue réciproque à travers la francophonie m’a beaucoup passionné et ce dès le premier jour de mon apprentissage au sein de l’Alliance Française du Bengale en Inde. Cette passion pour l’interculturalité est devenue, seize ans plus tard, ma raison d’être et je suis persuadé que la convergence des idées et de la diversité de l'expression culturelle est la condition primordiale pour garantir une amitié durable.

German Notion of Accountability in Energy Transition

On this journey, they introduced us to three unique companies striving to leave their mark on the global stage, amidst a sea of thousands aiming for international recognition.

To my friends and readers, here’s a candid confession! Simplifying the intricate world of energy-related topics can be quite the challenge. I always try to maintain your interest without overstretching your patience, though I admit, sometimes I might miss the mark. My goal isn’t just to keep you scrolling through my blog, but to offer substantial content that often gets overlooked in mainstream outlets. Yes, I could easily churn out answers in my unique style, creating an unending stream of content just to stay in the loop, but that’s not my cup of tea. I am highly ethical and close to being a Saint. So, I hope you’ll bear with me as we take a plunge into a story that’s not exactly a piece of cake to simplify – a story filled with nuances, ambiguities, and a need for a polish here and there.

Photo: Blogger

So, allow me to take you on a journey into the German notion of accountability in energy transitions, and trust me, it’s a risk I’m willing to take to bring you closer to this concept. I’ll be incorporating observations from the boat ride hosted by DENA, the German Energy Agency on 18th March, as a side event of #BETD24. During the boat ride, we got a glimpse into the world of energy innovation. On this journey, they introduced us to three unique companies striving to leave their mark on the global stage, amidst a sea of thousands aiming for international recognition. It was indeed an enlightening experience.

Photo: Blogger

Developing this story is perhaps going to be a tough one. Therefore, I’m all ears for discussions and welcome any corrections to my understanding, largely derived from online resources courtesy of my memberships with the BNF and INHA. Yes, energy has indeed played a role in the history of art in Europe, as I’ve learned from stories shared by my German friends’ families. Please see reference section below.

Now, let’s get into the complexity of accountability in energy transitions within Berlin’s historical and spatial context over the past century. This city, transitioning through various political regimes, from democracy to state socialism, offers a unique lens to view how accountability in energy transitions has been molded by the political constructs of each era.

Accountability in Berlin’s energy infrastructure today is more than just a minor concern. It’s fueled by public demand for democratization in decision-making processes. Movements like the Berlin Energy Roundtable and Citizen Energy Berlin have reshaped energy policy debates around participation, transparency, and, of course, accountability. Coming from France, I must say, the effectiveness and transparency of German processes are something to behold, no joke intended. These movements have influenced city government policies, paving the way for a public energy utility to rival private entities, marking a shift towards governance that’s more accountable and focused on consumers.

Photo: Blogger

Exploring urban energy democracy in Berlin provides insights into how accountability is being framed and institutionalized today. But to truly grasp this concept, one must peek into the historical backdrop of the city’s energy policies. It’s not just about the contemporary low carbon transition; it’s about understanding the various phases of energy transition and the evolution of accountability and legitimacy in each period.

Photo: Blogger

With Berlin’s energy transition over the last century in mind, I’ve identified three themes in Energy Transition that I believe will clarify the core concept for us all and also tried to furnish a consolidated timeline in order to facilitate our reading: Innovation and Diversification of Energy Sources, Infrastructure and Modernization and Sustainability and Circular Economy. To complement, I have brought back the topic of semiconductor as well.

Innovation and Diversification of Energy Sources:

1920s – 1940s: The energy sector was dominated by coal and water power, with limited electricity usage in households.
1950s – 1960s: Oil emerged as a new source of energy.
1970s – 1980s: The beginning of diversification with the rise of nuclear energy.
1990s – 2000s: The adoption of wind and solar power marked the beginning of a more diverse energy mix.
2010s – 2024: Continuous innovation led to the growth of decentralized energy systems and smart energy technologies. The Industry 4.0 movement brought about a significant transformation in energy usage in manufacturing, focusing on automation and efficiency. ENERTRAG’s development of combined power plants points to the need for diversified renewable energy sources for reliability and efficiency.

Infrastructure and Grid Modernization:

1950s – 1960s: Post-WWII electrification of households expanded, and oil began replacing coal for home heating and industrial use.
1970s – 1980s: Nuclear power plants began contributing significantly to the energy mix.
1990s – 2000s: Deregulation of the energy market facilitated the development of modern energy infrastructure.
2010s – 2024: Germany saw significant advancements in energy storage technologies and the integration of renewable energy sources into the grid. The development and expansion of electric vehicle infrastructure represented a major step in modernizing the energy infrastructure. 50Hertz’s role in expanding energy grids highlights the importance of infrastructure in integrating renewable energy sources

Sustainability and Circular Economy:

1970s – 1980s: The energy crises led to heightened awareness of conservation, ushering in energy-efficient appliances and insulation techniques in homes.
1990s – 2000s: With an increased focus on renewable energy, there was a significant push towards sustainable energy practices.
2010s – 2024: The Energiewende policy emphasized a transition to renewable resources, supporting a shift towards a more sustainable and circular approach in energy use. The expansion of decentralized energy generation, including residential solar panels, and the growth of smart home technologies for efficient energy management further bolstered this shift. SunCrafter’s initiative with second-life solar modules illustrates a move from traditional consumption models to sustainable circular economies.

The integration of renewable energy in semiconductor manufacturing, as discussed in my previous interview questions, highlights the interconnectivity of different industries in the energy transition. Policies and incentives for eco-friendly practices in sectors like semiconductors may point towards a holistic approach to sustainability across industries.

Photo: Blogger
Collaborations between countries and global entities in renewable energy underscore the importance of international cooperation in achieving global sustainability goals and that’s why I had to ask a specific question on Global South to a career diplomat of India who is currently serving his mission somewhere in eastern Europe.

From coal to gas and now to OTG (Oven-Toaster-Griller), India’s own energiewende in a nutshell

I asked: In light of India’s significant advancements in renewable energy, what strategies could be implemented to extend support and share best practices with the Global South countries, particularly in areas like solar energy, energy efficiency, and sustainable infrastructure development? How can India leverage its own experiences to create a more inclusive and sustainable energy transition in developing nations?

What he answered: In response to how India can extend support and share best practices with the Global South, a key strategy is the promotion of solar energy. our membership in the International Solar Alliance (ISA) positions us well to facilitate this. Additionally, we can make solar panel technology and photovoltaic plant technology more accessible to developing nations through lines of credit (LOC) or soft loans. This approach would enable us to leverage our own renewable energy advancements to assist in facilitating a more inclusive and sustainable energy transition globally.

In conclusion, drawing from Germany’s diverse historical experience and its evolving story of accountability, the energy transition is recognized as much more than a simple switch from fossil fuels to renewable sources. It’s a multi-faceted metamorphosis that spans innovation, infrastructure development, policymaking, and international collaboration. Looking back at Germany’s energy evolution, from its early reliance on coal to today’s emphasis on renewables and democratic energy management, it’s clear that a sustainable energy future necessitates comprehensive and cohesive strategies. These strategies must address not just the technical aspects of energy production but also give due consideration to the environmental, economic, and geopolitical factors that influence our world. This approach, informed by historical insights and accountability principles, is essential in guiding the global shift towards a more sustainable and equitable energy environment.

I hope this write-up was not too long! Thanks.

References:

Enabling Sustainable Transition

La politique énergétique allemande: engagements, réalisations et perspectives

Transition énergétique: Comment fait l’Allemagne?

The Berlin Energy Transition Dialogue 2024

With the global semiconductor industry often at the center of geopolitical tensions, particularly between major powers like the US and China, how is the India Economic Trade Organisation navigating these complex dynamics? What is India’s strategy to maintain its growth and independence in this high-stakes environment while balancing international relations?

I am travelling again and in less than a few hours, I will be on the other side of the Rhine. Berlin. And this time, I am attending the Berlin Energy Transition Dialogue as a press delegate. While preparing my trip, I am also reflecting on a journey deeply connected with energy narratives. Growing up in Kolkata, India, « load shedding » was a regular part of life, a term synonymous not just with power cuts, but with the broader struggles of industrial decline. This experience was not just about the inconvenience of power outages, but rather a deeper narrative of economic shifts.

Back then in the nineties and the early years of 2000, Kolkata, under a specific regime, faced numerous strikes and unemployment, evidence to the need to balance power distribution and industrial demands. The irony lies in today’s Kolkata, where load shedding is a thing of the past, not due to a grand energy transition, but rather an absence of industrial demand, leading to an almost overflowing electricity supply. This personal backdrop forms a stark contrast to the energy landscapes I encountered later in my career, especially at international forums like COP21 in Paris.

Photo: Writtwik

I had the modest opportunity to be part of the media team for the Embassy of India, allowing me to study countless documents over a week. While everyone buzzed about India and France as key players at Le Bourget, deep inside, I was riddled with questions.

Admittedly, like most people, climate issues hadn’t deeply intrigued me beyond my 2009 master’s dissertation in Earth Sciences at the University of Paris-Cité (Diderot). It was during my time translating in the media center at COP21 that I found a burning desire to understand climate stakes more deeply.

I pondered: What are the tangible effects of climate change? Is there an effective climate policy? What is the science behind it? How can green activists convince decision-makers to implement coherent policies? Is there a ‘jugaad’ (an innovative fix) for all these questions? Probably not.

These questions haunted me for some time, compelling me to focus on the topic of energy, an area where I lacked expertise. The first thing that came to my mind was light, a resource still inaccessible to much of India. Light leads to energy. How is energy utilized in an emerging and ambitious economy like India?

Searching for organizations working in this field, I stumbled upon TERI (The Energy and Resources Institute) in New Delhi. Though I had heard of this NGO during COP21, the lack of French media coverage made it challenging to research them further. My discovery of TERI marked the beginning of a new chapter in my journey towards understanding and advocating for energy solutions.

While aiding The Energy Research Institute to disseminate its ‘lighting a billion lives’ project across francophone nations, a deep-seated emotional bond with energy advocacy burgeoned within me. This advocacy journey seamlessly intertwined with fate at the Paris Peace Forum in 2018, where I crossed paths with Dr. Asif Iqbal from the Indian Economic Trade Organisation. Our bond, cemented by shared aspirations of fostering cross-country connections, has flourished. While Asif navigates tangible trade dialogues, my role meanders through the promotion of intangible cultural heritage, leading us to a common confluence – the estuary of mutual understanding and cooperative goals. Our collaboration, underpinned by a shared pursuit of a greener future, makes the forthcoming dialogue an exciting convergence of ideas and insights.

Photo: Asif, at the Energy Panel of the European Parliament

This inaugural article for the Berlin Energy Transition Dialogue is, therefore, much more than a discussion on energy; it’s a story of how Dr. Asif Iqbal orchestrates dialogues and creates synergy across various domains. Therefore, keeping in line with the theme of the Berlin Dialogue, I’ve prepared four tailored questions to explore these dynamics. These questions aim to focus on how the Indian Economic Trade Organisation is influencing policies and industry standards in semiconductor manufacturing, especially regarding renewable energy integration. They also touch upon eco-friendly practices within the semiconductor industry, global collaborations for technological advances in this sector, and how geopolitical tensions are maneuvered. Through these questions, I would like to shed light on the multifaceted role that Dr. Iqbal plays in bridging gaps and fostering partnerships across the globe.

Writtwik: As a key player in lobbying, how is the Indian Economic Trade Organisation influencing policy and industry standards to promote the integration of renewable energy in semiconductor manufacturing? Are there specific initiatives or recommendations you’re championing to encourage sustainable energy infrastructure in this sector?

Asif: The Indian Economic Trade Organization (IETO) operates as a facilitator of economic collaborations, plays a crucial role in driving sustainable initiatives within the semiconductor sector and more. We act as a bridge between Indian semiconductor manufacturers and global entities specializing in green energy solutions. Through collaborations, IETO facilitates the exchange of technologies and best practices, fostering the adoption of eco-friendly manufacturing processes. Moreover, IETO contributes to the upliftment of Small and Medium Enterprises (SMEs) within the semiconductor industry, ensuring that sustainability measures are inclusive. The organization conducts capacity-building programs, provides financial support, and facilitates technology transfer to empower SMEs in embracing sustainable practices.

In tandem with India’s broader vision, IETO actively engages in policy advocacy, working closely with governmental bodies to promote regulations that incentivize the use of sustainable energy sources in semiconductor manufacturing. The organization also advocates for and supports research and development initiatives, encouraging innovative technologies that contribute to energy-efficient processes.

Furthermore, IETO creates networking opportunities for SMEs, fostering collaboration and knowledge-sharing on sustainable practices within the semiconductor industry. The organization also establishes recognition programs to acknowledge and incentivize companies, particularly SMEs, excelling in sustainable energy adoption.

Through these combined efforts, India, with the proactive involvement from large enterprises, strategic International collaborations, boost from the SME’s, positions itself as a global leader in driving sustainability within the semiconductor industry. The collaborative approach not only aligns with international environmental goals but also strengthens India’s semiconductor ecosystem by promoting inclusive and resilient practices.

Writtwik: What incentives or policies are being advocated to promote energy-efficient practices within India’s semiconductor industry, and are there any specific programmes encouraging the adoption of such technologies?

Asif: In India, the government has historically introduced various initiatives to promote energy efficiency and sustainability across industries, but specific programmes for the semiconductor sector may vary. Policies related to renewable energy adoption, energy-efficient technologies, and environmental sustainability can have indirect effects on semiconductor manufacturing.

The Indian government has set up the India Semiconductor Mission (« ISM ») to tackle the worldwide shortage of semiconductors and encourage manufacturers to establish their semiconductor facilities in India. Under the ISM, the government has introduced four schemes. As the central agency, ISM will assess the technical and financial aspects of received applications, suggest the selection of applicants, and undertake other responsibilities assigned by the Ministry of Electronics and Information Technology as needed.

With India’s Finance Minister, Ms. Nirmala Sitharaman at the Huddle Conference in Bengaluru, Karnataka, India

The Ministry of Electronics and Information (MeitY) is looking for applications from 100 Indian companies, startups, and small businesses for its Design Linked Incentive (DLI) Scheme. This program has three parts: support for chip design infrastructure, incentives for product design, and incentives for deployment. C-DAC (Centre for Development of Advanced Computing), a scientific society under MeitY, will be in charge of making sure the DLI scheme works. The main aim of the DLI scheme is to help at least 20 Indian companies that work on designing computer chips. The goal is to help these companies make more than INR 15 billion or 167 million euros in the next five year.

Writtwik: Can you shed light on how the organisation is facilitating collaborations between Indian semiconductor industry and global leaders in renewable energy, and any significant partnerships aimed at propelling India towards a sustainable semiconductor future?

Asif: With India excelling in chip design, the recently authorized facilities will drive the advancement of chip fabrication capabilities, fostering the growth of indigenous packaging technology. This transformation is anticipated to generate fresh employment opportunities and simultaneously increase semiconductor production capacity. According to the central government’s projections, the establishment of three new units will directly impact 20,000 high-tech positions and indirectly lead to the creation of an additional 60,000 jobs.

The Indian semiconductor industry has gained significant investments and commitments from top global chip manufacturers, showcasing confidence in India’s potential as a semiconductor hub. Notable contributions include Micron’s INR 22,500 crore semiconductor facility in Gujarat, Foxconn’s USD 1.2 billion investment for electronic components manufacturing in Tamil Nadu, AMD’s USD 400 million investment in Bangalore for the world’s largest R&D facility, and Applied Materials’ USD 400 million investment in Bengaluru for semiconductor manufacturing equipment. Additionally, collaborations with industry suppliers, discussions with global players, and a memorandum of cooperation with Japan further highlight India’s emergence in the semiconductor sector. Sahasra Semiconductors has already established a production unit in Rajasthan, set to commence production of locally-made memory chips in October 2023. We at the IETO strongly highlight the need for a collaborative effort between the Indian government, industry, and global players to establish resilient semiconductor supply chains worldwide.

Writtwik: With the global semiconductor industry often at the center of geopolitical tensions, particularly between major powers like the US and China, how is the India Economic Trade Organisation navigating these complex dynamics? What is India’s strategy to maintain its growth and independence in this high-stakes environment while balancing international relations?

Asif: India’s role in the geopolitical landscape is underscored as it emerges as a significant player in the semiconductor industry. While the primary focus of the discussion revolves around global dynamics, tensions between major powers, and strategic initiatives, India’s proactive involvement is evident. The extended summary previously mentioned India’s efforts in attracting substantial investments from top chip manufacturers, such as Micron, Foxconn, AMD, and Applied Materials, reflecting the country’s commitment to developing a robust semiconductor ecosystem.

These investments, I am convinced, position India as a major player in the global semiconductor supply chain, contributing to the geopolitical equation. The Memorandum of Cooperation signed with Japan further emphasizes India’s strategic collaborations to bolster the semiconductor sector. Amidst the intensifying competition between major nations, India’s growing semiconductor capabilities add a unique dimension to the geopolitical narrative, enhancing its role in the intricate balance of power in the technology and semiconductor domain.

Currently, IETO plays a vital role in driving economic partnerships, especially in the semiconductor sector. It actively engages in promoting investments, trade deals, and partnerships, significantly contributing to building a strong, global semiconductor supply chain network. This approach, which prioritizes collaboration and shared economic gains, aligns with a strategy that combines diplomatic and business perspectives, skillfully managing geopolitical complexities without direct involvement.

Writtwik: Thank you so much, Asif. Really appreciate it.

Acknowledgements:

Dr.Asif Iqbal, President, Indian Economic Trade Organisation

The Press Office, Berlin Energy Transition Dialogue, 2024

Lyon Unveiled: Part Two – Glimpses Beyond the Ordinary

As dawn broke on my second day in Lyon, my expectations clashed with reality over a trivial matter – coffee. The brew provided by Sofitel, though adequate for many, fell short of satiating my refined palate. Fortunately, my ‘coffee archives’ – a collection of carefully chosen sachets for emergencies – came to my rescue, transforming an ordinary morning into one of aromatic satisfaction.

The rhythm of the day established its tempo with a visit to the hotel gym. In this sanctuary, the rigor of physical exertion danced with the serenity of mental clarity. It was a harmonious prelude to what I anticipated would be a similarly invigorating experience in the steam room.

For me, the gym has always been an arena of mixed emotions rather than a consistent ally. My relationship, you know it quite well now, with physical fitness has been a journey of peaks and valleys. There have been times when I’ve shied away, preferring the shadows to the unforgiving glare of gym lights that illuminate the sculpted physiques I sometimes yearn for yet accept I may never achieve.

Today, as I ran on the treadmill, each step was a negotiation between aspiration and acceptance. After a determined thirty-minute sprint, my body signaled it was time to step down, marking the end of one challenge and the threshold of another.

My curiosity about Sofitel’s steam room had been simmering for quite some time, fueled by whispers of its luxurious ambiance and the promises of a rejuvenating experience. The prospect of finally stepping into this famed retreat infused me with a sense of eager anticipation. It was not just a room I was about to enter, but a dream I was ready to live. The steam room, renowned for its restorative powers, beckoned me, promising a sanctuary where the physical exertions of the gym could be soothed away, and where the mind could wander freely in the comforting embrace of warm, healing vapors.

Photo courtesy: https://www.bullukian.com/

The steam room, a vast yet intimate heaven designed to detoxify and rejuvenate, was spacious enough to accommodate a small crowd, yet on this day, it was my solitary retreat. Informed of its mixed-gender use – a nod to the Scandinavian saunas I fondly remembered as bastions of openness and self-challenge – I entered with a tinge of curiosity. France, with its facade of liberal attitudes, often harbours a deeply ingrained conservatism, and this extends to the sanctums of luxury hotels as well. Such spaces, though ostensibly liberal, are coloured by a certain puritanical ethos.

Alone, I embraced the liberating solitude of the steam room, allowing the heat to envelope me, coaxing the toxins from my skin, and indulging in a moment of unbridled freedom. But this idyll was not to last. As I prepared to rinse away the vestiges of the steam, I was met with the startling reality that the showers were out of order. Suddenly, the tranquility of my solitude was replaced by a pressing urgency.

Image obtained from an illustrator

Imagine the scene: there I was, a figure drenched in sweat, hastily redressing in my dampened clothes, my exit from the steam room a far cry from the leisurely retreat I had envisioned. The journey back to my room was a blend of discomfort and haste, a stark contrast to the earlier serenity. The disruption, even though minor, served as a reminder of the unpredictable nature of life, even within the meticulously planned environment of a luxury hotel. This unexpected detour in my otherwise seamless routine was a vivid episode in the mosaic of my Lyon adventure, a momentary lapse in the orchestrated elegance that only served to heighten the overall experience. As I returned to my room, the memory of this incident stayed on, a testament to the day’s unpredictable nature and the small surprises that await us in our most private moments.

Refreshed from my shower, I spritzed myself with Gentleman de Givenchy, a fragrance that has become a part of my very essence, enveloping me in a cloud of refined elegance. This olfactory ritual served as the perfect prelude to my meeting with Georgio at Place Bellecour. He, a man juggling the multifaceted roles of fatherhood, husband, son, and a cyber security expert. His presence, is always a delightful surprise and his responses are as eagerly awaited as a message in a bottle cast into the sea, adds a unique charm to every encounter.

We met, greeted eachother and realised that our appetites were keenly awakened. Our culinary rendezvous was at L’Espace, a brasserie that echoed the sophisticated ambience of our previous meeting at Sir Winston, a high-end Indo-British brasserie near the Arc de Triomphe in Paris. Here, in the heart of Lyon, our Parisian memories were rekindled over a meal that celebrated simplicity and luxury in equal measure. The burger, our mutual choice, served as a bridge between our shared past and present.

With Georgio at L’Espace Brasserie: https://www.maison-borgeot.fr/lespace-brasserie/

As the wine added a touch of class to our meal, we eschewed dessert for a more rustic yet equally indulgent option – demi Saint Marcellin cheese platters. True to my culinary philosophy, I indulged in the delightful ritual of ‘buttering my bread for cheese’ – a personal idiosyncrasy that elevates the experience to an art form.

Now, I’m well aware that in the hallowed halls of Lyonnaise gastronomy, slathering butter under a slab of cheese might be considered nothing short of heresy. It’s like wearing sneakers to a black-tie event – unorthodox, mildly scandalous, yet undeniably me. This quirk in my palate has its roots in my very first full meal with my friend Tété in September 2006. He, with his mixed heritage and a dash of Swedish lineage, encouraged me to layer butter under the cheese, insisting it would elevate the taste. To my initial horror, I discovered that this combination, though delicious, was met with looks of sheer astonishment from the purists around us. In France, where cheese often represents God on earth, pairing it with butter is akin to rewriting the Book!

So, as I spread a generous layer of butter under my cheese, Georgio’s reaction was priceless. His eyes widened, mirroring the shock that once played across my face. In that moment, I realized how much I relished these little acts of culinary rebellion. Tété’s Swedish influence, which embraced cheese with biscuits – a big no-no in traditional French circles – had clearly rubbed off on me. It was a delightful mash-up of cultures, a testament to how food can transcend boundaries, much to the amazement (or dismay as you can say) of culinary traditionalists like Georgio.

To those who find my Kardashianesque attention to detail wearisome, I forewarn – the remaining part of my Lyon saga may well surpass your wildest imaginations. Lyon, with its blend of the ancient and the contemporary, has a way of transforming even the mundane into the extraordinary. As I continue to document this journey, each moment becomes a thread in the intricate fabric of my story, a story that is as much about discovering Lyon as it is about rediscovering myself.

Somewhere in Croix Rousse, at the 4th arrondissement of Lyon

STAY TUNED!!! Because day two hasn’t finished yet. After our lavish lunch, Georgio and I took our leave from one another with a pledge to reunite soon over more stories and burgers. He headed back to his abode, and I ventured up to Croix Rousse, the 4th arrondissement of Lyon. This uphill neighbourhood is a microcosm of the Rhône Alpes high-flyers, a community living within its own bubble, where descending to Saxe Gambetta or Bellecour feels like an odyssey.

In the heart of Croix Rousse, I stumbled upon a sanctuary of well-being, a serene oasis amidst the urban hustle. Here, a Delhi-born entrepreneur, with her roots deeply entrenched in the vibrant culture of India, had woven her magic into the very fabric of Lyon. Her boutique, reminiscent of a tranquil ashram, stood as a vivid embodiment of her dedication to nurturing wellness and self-care.

In our conversation, I found myself passionately expressing the necessity of nurturing the soul, especially in these times when the media landscape seems to be an ever-churning sea of information and misinformation. The relentless tide of news, often tinted with bias or sensationalism, has a way of wearing down even the most resilient spirits. « We need to offer a haven for people to feel good about themselves, » I shared with her, my voice echoing in the calm of her well-curated space.

I spoke fervently about the need for a retreat from the world where the lines between reality and fabrication have become alarmingly blurred. In a society where public discourse is often dominated by a cacophony of voices, each clamoring to be heard, the importance of personal wellness has never been more paramount. « There’s no crisis in wellness, » I declared. This was more than just a statement; it was a belief, a conviction that in the midst of societal tumult, the pursuit of personal peace and well-being remains an unshakable pillar. As I articulated these thoughts, the entrepreneur listened, her space providing a backdrop that seemed to absorb and understand the depth of my words. It was a moment of connection, a shared understanding that amidst the noise and chaos of the external world, these indulging escapes are essential sanctuaries, offering respite and rejuvenation for the weary. An aura, straight from the abyss of Ayurvéda!

Our deep conversation over life, perception, and our chosen paths as expats turned immigrants in France left a lasting impression. She walked me down to the metro and as we went our seperate ways, the day’s experiences lasted in my thoughts. Back in my room, I surrendered to the quiet flow of the Rhône. In the serenity of the night, I embraced again the world of dreams – my world of boundless possibilities, where burgers, bondings, and new beginnings awaited.

To be continued…

Lyon Unveiled: A Saga of Love, Language, and the Lure of Luxury

As I prepare to embark on yet another solitary journey to Lyon this early November, the world around me seems gripped by the icy hands of an impending crisis. Yet, amidst the rising tide of uncertainty, here I am, a 41-year-old soul from the rich cultural soils of India, poised at the cusp of Lyon’s old-world charm and contemporary luxury at the Sofitel.

Seventeen years have whisked by since I first set foot in France, leaving behind the sophisticated linguistic tapestry of the Alliance Française du Bengale. My passage through this European land has been anything but untroubled. I have navigated disillusionment and weathered disappointment. I have grappled with frustration that gnaws at the spirit of a foreigner seeking to find their niche in a new land. Yet, here I remain. The question, then, is ‘why?’

The answer is simple yet profound: love. Love was the compass that guided me across continents, and it is love that has anchored me to this terrain. The French language, to me, is not merely a collection of words or phrases; it is a territory unto itself, a serene landscape where my spirit roams free. In this sense, France is more than my adopted homeland; it is a reflection of my innermost self.

Why Lyon?

Lyon is more than just a city; it is a memory etched in the contours of my being, intertwined with the academic rigor of my Diplôme supérieur’s thesis. This city, with its historical moniker, Lugdunum, is an enigmatic blend of the sacred and the worldly – a center for both the influential bourgeoisie and the ecclesiastical power of the Church of France.

I returned to Lyon, drawn not by the allure of nostalgia alone but by the whisper of escape. An invitation from a friend to a local bistro event flickered like a beacon, cutting through the muddle of my Parisian existence. And so, with a spontaneous spirit, I rerouted my life’s itinerary for a brief sojourn. I find myself now aboard the Paris-Lyon TGV, the French countryside blurring past my first-class window at 284 km/h.

Why first class?
This indulgence in first-class is a narrative of transformation. My roots, entrenched in the lower middle class of India, once viewed such luxury with a critical eye. Yet, as fate would have it, I found myself redefining my destiny. The Koromondol express First AC journey to Andhra Pradesh was a turning point; it revealed that the mastery of the French tongue could unshackle me from the confines of a preordained life.

Isn’t it a bit of a snobbery? A m’as-tu-vu, as the French say?
Yes, I confess to a hint of snobbery – a trait that unsettles my dear sister back in India. I’ve become the proverbial prodigal, returning not to seek but to flaunt the spoils of European comfort. I seem to have started, as my father jestingly chides, viewing India through a lens tinted with the sterility of my European life. The once comforting aroma of street food of Kolkata now triggers in me a fear of contamination. The familial gatherings, which used to be the highlights of my visits, have become events I endure, not enjoy. I find myself critiquing the very core of what once defined me, unable to reconcile the love for my roots with the discomfort they now evoke, lavishing in the abundance skimmed from foreign shores.

And why not first-class in Paris? It’s more than a simple choice; it is a statement. In Europe, I cling to the refined echelons as a shield against the scathing judgement that often taints the air with its silent, discerning gaze. It’s a sanctuary I choose in a world where my brown skin is an unwarranted whisper of difference.

But let us end on the note of dreams – the luxurious embrace of my river-facing room at the Sofitel, where the crisp linage meets the gentle lull of the Rhône. Here, in this space of plush tranquility, I dare to dream of dreams, each weaving into the next, an endless tapestry of hopes and reveries. It is here that I find my truth, and perhaps, it is here that I will conceive the next dream that will coax my spirit to dance once more upon the cobbled stones of this ancient, noble city.

In Lyon, against the backdrop of time and tides, my narrative continues – a passionate ode to the journey, the culture, and the unyielding love that binds me to this land.

To be continued…..

The Ebbing Pulse of Heritage: From Bangladesh to France and Beyond

« Purity of point of view is impossible, almost difficult for the colonised. Every region (not necessarily nation state) has its own reality and history. We need to reconcile those within us, and only then we can effectively communicate with others. »

The allure of intangible cultural heritage is a siren’s song that transcends borders, beckoning the dedicated and curious to dive deep into the currents of history and tradition. A little over a decade ago, I found myself irresistibly drawn into its fold in Paris, with the sonorous notes of Bengali language echoing in my ears, a gift from my esteemed mentor at INALCO, National Institute of Oriental Languages and Civilisations, Paris, Philippe Benoît who wanted me to interpret the songs of Patuas for the Festival de l’Imaginaire by Maison des Cultures de Monde, Paris. The journey began with the Chitrakars of Bengal, India, whose scroll paintings spoke of narratives passed down through generations. My father, whose life revolved around the preservation of Bengali folk arts, lit the torch of this exploration.

France, where I’ve spent over seventeen years, presented a different tapestry of heritage. While the vibrancy of Indian culture beckoned from a distance, the melodies of French folk traditions were slowly fading away. While doing my diplôme supérieur at the Alliance Française du Bengale in 2005-06, my research on Lyon, a city renowned for its handloom culture, unveiled the melancholic tale of the extinct Canuts, the iconic handloom weavers. The Maison des Canuts stands as a silent testament to this lost craft. But not all is lost; tucked away in the alleys of Aix en Provence, a city I lived for more than two years, is the Oustau de Prouvènço, fiercely guarding the culture of La Provence.

France’s tumultuous past has muted its indigenous voices, creating a homogeneous soundscape. My naiveté as a young Indian lad, enamored by the French language, was shattered by the chilling accounts of the Bretons, whose native tongue was suppressed in their own land. However, like the phoenix, France is re-emerging, with regions now celebrating their unique cultural identities. The tides are turning; France is hearkening back to its roots.

My adopted homeland is seeing a resurgence in its regional cultural heritage, as local governments invest in cultural projects, and residents take pride in showcasing their native customs. At this juncture, « Ajob Karkhana, Song of the Soul, » a Bangladeshi film directed by Shabnam Ferdousi and produced by Samia Zaman, has its festival screening in Paris. As I watched the film, memories flooded back – memories of my father, of Calcutta’s Gurusaday Museum, and of the arts I so ardently practiced yet left behind.

Join me in this ensuing dialogue with the film’s producer, Samia Zaman, as we delve into the intricacies of preserving our shared global heritage. This isn’t a review or criticism, but an invitation to understand the challenges faced in holding onto our past while navigating the currents of the present. Dive in, and as the French say, « Bonne lecture! »

From left: Director Shabnam Ferdousi, Poet and Lyricist Helal Hafiz and Producer Samia Zaman

Writtwik: What inspired you to create Ajob Karkhana, a film focused on preserving the folk music of Bangladesh?

Samia: The idea of the film came from a television show I was producing for Ekattor Television of Bangladesh, where I was the editor as well as the CEO. Shabnam Ferdousi created and directed this show which contained the seed of this film.

A popular pop singer was taken to a village setting; he interacted with the local singers and was the presenter of the show. We noticed the confidence of the local singers. They were in their elements, sure of their craft and sure of their relationship to their land, their surroundings.

In comparison, our popular musician seemed unsure, out of place and in a bit of awe of the singers who are completely unknown in the urban sophisticated Dhaka. Shabnam got this epiphany and started on writing up the idea. When she approached me about it, I immediately got on board. I encouraged her to finish the first draft of the script and applied for a grant from the Bangladesh Government to produce the film, which we received in time. I was already committed to work to preserve various cultural elements of Bangladesh though my TV commissions.

The original TV show later got a new incarnation where the urban presenter role was dropped, as we discovered the musicians are quite capable of telling their own stories. On the other hand, I am very aware of the rapid changes that are taking place in Bangladesh. People are resilient and flexible, resulting in being open to many changes in their lives. Some are beyond our powers like the forces of globalisation and the weight of the colonial history. Anyway, change is inevitable. So I was convinced of the philosophy of the film, that we are intrinsically connected to our land, heritage, and history. At the same time documentation of these transient, disappearing and irrevocably changing art forms seemed urgent and necessary. Music, especially folk music is intrinsic to the sense of Bengaleeness I think. The journey and the place of music in present day Bangladesh has many socio-political layers. All the above and the strength and uniqueness of the storyline, which I was already privy to, made me undertake this, which later proved to be a formidably challenging production.

Writtwik: Could you share your main message or intention behind this docu-fiction film?

Samia: Let me clarify first, the film is not a docu-fiction. This film has many real characters; primarily the folk singers; the film itself is a work of fiction though.

Message is a word I struggle with. I don’t know the film is trying to convey any fully formed message. The impossibility of traversing the same path twice may be. Or how we are all looking for that nostalgic past, the life we leave behind when we fit our selves to the new, shiny, modern life? I think the film will speak to the individual audience according to their own sensibility and history. In this shifting landscape of life, the folk musicians seemed most anchored and sure of themselves and their art.

In the middle of this Ajob Karkhana of life; they have found their place. They are in touch with their inner being, the true self. When the elderly singer Helim Bayati says, his feet keep rhythm even when he sleeps; he himself recognises that he may have gone towards some pure music body and soul. The main protagonist will probably try and find a music true to himself by the end of the film; and live a more authentic life. Authentic, mindful these kinds of new age speak, seem to come naturally to our philosopher-musicians who practice folk and embody literally thousands of year-old connection to their surroundings and liveliood.

Writtwik: In a world increasingly influenced by global culture, how do you see the importance of preserving traditional and folk cultures?

Samia: I may have already partially answered this. We need to be clear what we mean by global culture. Rather, which elements of global culture we are talking about. Beatles; Michale Jackson, Beyoncé? The behemoth of Hollywood and now Bollywood too? K-drama? The way we speak in English as Lingua franca and increasingly encouraged or pressured to even think in Anglo-Saxon terms or some other dominant cultural economic force? What is the political economy of this global culture who are the producers and who are the consumers? Was Ravi Shankar a symbol of Global culture or did he eventually was consumed by the West and eventually became a curiosity item?

In the long term, can a consumer influence a producer? I think; when we start to analyse these questions; the importance and gravity of the task, of trying to preserve cultural practices in their original form as well as documenting the evolution and inevitable changes become paramount. Also, this cannot be an anthropological exercise. The practitioners need to be part of the story telling and the documentation project. Who is telling whose story and for whom? None of us are free if these dichotomies and inconsistencies but an honest effort is a must, Role of traditional and folk is yet another discussion altogether. There’s a class aspect to it maybe. In Bangla music one could argue traditional music has been fossilised while the folk is now being repackaged to the extent it will be unrecognisable.

Writtwik: Can you elaborate on the concept of intangible cultural heritage and its significance in your film?

Samia: Apart from the obvious ones like talking about various music forms; the film touches on references many other ‘endangered’ forms too. By the way, in Ajob Karkhana; we managed to touch on only a few music forms of current day Bangladesh. Lalon is a linchpin of this film; and not only his music rather his philosophy; so he had to be there. But we could not accommodate a larger-than-life Hason Raja, who deserves a film himself, women group, and individual performers like Dhamail, and literally hundreds of music forms still existing in Bangladesh. But quite apart from folk music, the film talks about poetry; how quotable and immensely popular lines of Jibanananda is completely unknown to the new young TV assistant producer. Another layer of poetry documentation took place in this film! We had the amazing opportunity of using several Helal Hafiz poems.

Writtwik: Regarding the film’s marketability and business development, how do you plan to reach a wider audience and ensure its success through distribution channels?

That is a challenge facing us. And I suppose many independent films, the marketing plans for Bangladesh is market specific. We hardly get revenues back through hall ticket sale » multiple reasons – screen number gone down; single screen cinemas throughout the country either shutting down or only show ‘big’ films. We try get sponsorship in various forms. It will depend on a successful partnership. Next step selling to OTT (Over the Top) platforms and television. Internationally, this is an independent film from Bangladesh. So, our first target audience will be worldwide Bangla speaking audience and the distribution targeting this segment of the audience is still quite patchy.

Regardless of that, a kind of informal distribution network of Bangla films is spreading, and we hope to be able to use that existing and, in some places, burgeoning distribution network to reach worldwide Bangla speaking audiences. In the early days of worldwide Hindi film distribution, it was a model; nowadays, Hindi films and films from the South are regularly getting worldwide release. I am not talking here about the blockbusters like Jawan. Much smaller films are regularly getting release.

UK and US naturally have more of this network, but this is happening in other places too. Bangla films are just beginning to have regular releases. Few boutique distributors are coming ahead. I believe we shall have a strong diaspora targeted release next year.

Writtwik: Do you believe that the responsibility of supporting cinema that focuses on preserving cultural heritage lies with the state, the private sector, or both? Why?

Samia: Both. State has a big responsibility no doubt, and if there is a stated intention and purpose, they can be a great force. But private sector must be equally effective and participate in this. Sometimes, the cultural heritage in question may or may not fit government agenda, in those cases private money is vital. But even in ordinary cases, private public partnership, and separately vigorous support and funding is necessary to ensure viable choice, distribution and diversity of subject matters and personnel. I shall include public or crowdfunding here too.

Writtwik: You have been a path breaking journalist, so as a journalist who has challenged the conventional narrative, how difficult is it to speak truth to power to a conflict ridden West, especially coming from a region like Bangladesh?

Samia: It is not difficult only it is almost impossible. West has its own narrative and often cannot hear or see other that what they perceive. An inevitable outcome of the colonial legacy is a substantial number of people from our regions, and many of them are in the cultural sectors as part of the privileged intelligentsia are Western educated or at least follow a Western curriculum. As a result, we also see ourselves through an eye which is not entirely ours. It’s a dilemma. Purity of point of view is impossible, almost difficult for the colonised. Every region (not necessarily nation state) has its own reality and history. We need to reconcile those within us, and only then we can effectively communicate with others.

Writtwik: What parallels or differences do you see between your work as a journalist and your role as a film producer in shaping perceptions and narratives?

Samia: There’s lot of similarity. One must be focused in the middle of cacophony of the production process. I have done a lot of highly charged live television. Film making is not much different. Film has more longevity I suppose. With super-abundance of visual material around us, it may not seem so always. Shaping perception and narrative is a huge task, and news sometimes can be remarkably effective in that too. Can film, do it? I believe it can, but the changes need to take place on the greater society, and many factors are needed to make change happen. Film is but a small part of it.

Ajob Karkhana, Song of the Soul, Bangladesh

A film by Shabnam Ferdousi

Produced by Samia Zaman

Festival Ganges sur Seine, Paris

GANGE SUR SEINE festival de cinéma indien (lelincoln.com)